Beth Hart and Joe Bonamassa
Record Label: J & R Adventures (Joe Bonamassa and Roy Weisman)
Release Date: September 26th UK and Europe, September 27th US
Beth Hart (vocals)
Joe Bonamassa (guitar, vocals on "Well, Well")
Blondie Chaplin (guitar)
Carmine Rosas (bass)
Arlan Scheirbaum (keyboards)
Anton Fig (drums, percussion)
There’s an old tale that musicians tell about how if you walk on down to the windswept crossroads at the junction of Highways 61 and 49 in Clarksdale, Mississippi right around the stroke of midnight, the devil himself may come and perfectly tune your guitar or give you that sensational voice you want – albeit for a price. I always wondered what would happen if two musicians showed up at those crossroads at the same time - what happens then. Well methinks they call the tune, ramble on and we get a CD filled with amazing cover songs recreated by the immense talents of Beth Hart and Joe Bonamassa, titled Don’t Explain.
Joe Bonamassa plays his instrument in an almost unearthly style. His fingers dance over the strings creating sounds of depth as he wrings you dry with spirited emotional finesse. When Beth Hart joins in and sings, the sounds fuse, complement, harmonize and become one. Beth can moan and wail expressing the deepest sorrows of a condemned sinner but just as easily grind with grit about love finding her. These two performers artfully blend their styles and sound giving us old songs, breathed with a new airy light and a touch of the old time sultry, slinky blues.
If Joe and Beth went to those cross roads I don’t think it was to make a pact with the devil but to sing and play, and see what the Mississippi winds blew their way. Also, I think after listening to Don’t Explain, that it was to show that old devil a new thing or two about the blues.
Your Heart Is As Black As Night
For My Friend
I'd Rather Go Blind
Something's Got A Hold On Me
I'll Take Care Of You
Ain't No Way
Sinner’s Prayer: This song is crazy-wild and digs deep. The beat thumps hard and the slink-slank of the guitar meshes with Beth’s vocals creating that gritty groove this song requires. “…have mercy.”
Chocolate Jesus: This took a few plays in the player before I started grooving with it. It’s a bluesy gospel with an upswing tempo that I found after a few plays, you start humming and singing right along with it.
Your Heart is as Black as Night: Out of all the tracks on this CD this is my least favorite. Musically it’s great. It has a slow, slinky feel to it and Joe kicks it out of the park on his guitar solo. Beth’s voice on this is well done but it doesn’t have the same panache as the other songs.
For My Friend: I do like the lyrics and Beth’s voice is edgy/spastic on this song. Musically it’s well done, unfortunately the song as a whole really doesn’t do a lot for me.
Don’t Explain: Beth’s voice is sultry and very Billie Holiday-like. Her tone and inflections, the swoop and sway gives one the feeling of “old school” soul. Beth gives her all on this one and it is just beautiful. Joe’s guitar weeps and winds its way in and out throughout the song that is amazing and skillfully done. Perfection!
I’d Rather Go Blind: Another beautifully re-crafted song. Beth’s voice cracks, weeps and moans as she tells her story; then Joe retells the story with his guitar playing during the solo which leads back to Beth to finish it.
Something’s Got a Hold On Me: One of my favorites. I love how the deep soul digging opener segues into almost a gospel sound that appears to have been caught by the blues devil himself then shaken so hard that you feel compelled to shimmy and shake. Yes, IT IS THAT GOOD!
I’ll Take Care of You: Joe’s skills on the guitar really shine on this song. You feel the edge and pain of this song in every note that he sends flying through his fingertips – spellbinding playing.
Well, Well: I gotta say this one should be getting radio play on the stations. It has a phenomenal beat and a hook that just won’t quit. Everyone that I’ve played it for is tapping their foot and humming the song. SIDE NOTE: The opener of this reminded me a bit of Robert Plant’s Takamba – not sure why.
Ain’t No Way: Ok, I’ll admit it, this song made me cry. Joe’s opening guitar playing leading into Beth’s soulful voice is tender and sweet. The lyrics are heart-wrenching and Beth weaves and wraps her voice around them making you bleed with her. If the voice wasn’t enough Joe’s guitar notes silhouette’s, harmonizes and shoulder’s Beth’s voice, like a best friend listening and helping her carry the pain. Beth and Joe pour the emotion out in this song, so beautiful. Kudos! SIDE NOTE: The opening notes have shades of In the Light by Led Zeppelin in it
For another review on this CD go to: Blue Bird Reviews
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