Beth Hart and Joe Bonamassa
Record Label: J & R Adventures (Joe Bonamassa and Roy Weisman)
Release Date: September 26th UK and Europe, September 27th US
Beth Hart (vocals)
Joe Bonamassa (guitar, vocals on "Well, Well")
Blondie Chaplin (guitar)
Carmine Rosas (bass)
Arlan Scheirbaum (keyboards)
Anton Fig (drums, percussion)
There’s an old tale that musicians tell about how if you walk on down to the windswept crossroads at the junction of Highways 61 and 49 in Clarksdale, Mississippi right around the stroke of midnight, the devil himself may come and perfectly tune your guitar or give you that sensational voice you want – albeit for a price. I always wondered what would happen if two musicians showed up at those crossroads at the same time - what happens then. Well methinks they call the tune, ramble on and we get a CD filled with amazing cover songs recreated by the immense talents of Beth Hart and Joe Bonamassa, titled Don’t Explain.
Joe Bonamassa plays his instrument in an almost unearthly style. His fingers dance over the strings creating sounds of depth as he wrings you dry with spirited emotional finesse. When Beth Hart joins in and sings, the sounds fuse, complement, harmonize and become one. Beth can moan and wail expressing the deepest sorrows of a condemned sinner but just as easily grind with grit about love finding her. These two performers artfully blend their styles and sound giving us old songs, breathed with a new airy light and a touch of the old time sultry, slinky blues.
If Joe and Beth went to those cross roads I don’t think it was to make a pact with the devil but to sing and play, and see what the Mississippi winds blew their way. Also, I think after listening to Don’t Explain, that it was to show that old devil a new thing or two about the blues.
Your Heart Is As Black As Night
For My Friend
I'd Rather Go Blind
Something's Got A Hold On Me
I'll Take Care Of You
Ain't No Way
Sinner’s Prayer: This song is crazy-wild and digs deep. The beat thumps hard and the slink-slank of the guitar meshes with Beth’s vocals creating that gritty groove this song requires. “…have mercy.”
Chocolate Jesus: This took a few plays in the player before I started grooving with it. It’s a bluesy gospel with an upswing tempo that I found after a few plays, you start humming and singing right along with it.
Your Heart is as Black as Night: Out of all the tracks on this CD this is my least favorite. Musically it’s great. It has a slow, slinky feel to it and Joe kicks it out of the park on his guitar solo. Beth’s voice on this is well done but it doesn’t have the same panache as the other songs.
For My Friend: I do like the lyrics and Beth’s voice is edgy/spastic on this song. Musically it’s well done, unfortunately the song as a whole really doesn’t do a lot for me.
Don’t Explain: Beth’s voice is sultry and very Billie Holiday-like. Her tone and inflections, the swoop and sway gives one the feeling of “old school” soul. Beth gives her all on this one and it is just beautiful. Joe’s guitar weeps and winds its way in and out throughout the song that is amazing and skillfully done. Perfection!
I’d Rather Go Blind: Another beautifully re-crafted song. Beth’s voice cracks, weeps and moans as she tells her story; then Joe retells the story with his guitar playing during the solo which leads back to Beth to finish it.
Something’s Got a Hold On Me: One of my favorites. I love how the deep soul digging opener segues into almost a gospel sound that appears to have been caught by the blues devil himself then shaken so hard that you feel compelled to shimmy and shake. Yes, IT IS THAT GOOD!
I’ll Take Care of You: Joe’s skills on the guitar really shine on this song. You feel the edge and pain of this song in every note that he sends flying through his fingertips – spellbinding playing.
Well, Well: I gotta say this one should be getting radio play on the stations. It has a phenomenal beat and a hook that just won’t quit. Everyone that I’ve played it for is tapping their foot and humming the song. SIDE NOTE: The opener of this reminded me a bit of Robert Plant’s Takamba – not sure why.
Ain’t No Way: Ok, I’ll admit it, this song made me cry. Joe’s opening guitar playing leading into Beth’s soulful voice is tender and sweet. The lyrics are heart-wrenching and Beth weaves and wraps her voice around them making you bleed with her. If the voice wasn’t enough Joe’s guitar notes silhouette’s, harmonizes and shoulder’s Beth’s voice, like a best friend listening and helping her carry the pain. Beth and Joe pour the emotion out in this song, so beautiful. Kudos! SIDE NOTE: The opening notes have shades of In the Light by Led Zeppelin in it
For another review on this CD go to: Blue Bird Reviews
For more music reviews visit my website: Rock-it-Write
Tuesday, September 20, 2011
Wednesday, September 7, 2011
August 31, 2011
Hot Chelle Rae opened for Big Time Rush at their sold out show in Hampton Beach, NH! Having only ever heard one song of theirs, and not knowing anything else of this band, I must say I was pleasantly surprised to see and hear this group perform.
I expected a clone of Big Time Rush but was so very wrong. This was not a dancing boy band -- Hot Chelle Rae ROCKED! RK Follese, the lead singer, has a dynamite voice to go with his effervescent personality. The drummer, Jamie Follese, kept a rocking beat and his constant smile lit up the room. The lead guitarist, Nash Overstreet, and bass player, Ian Keaggy, were equally brilliant and amazing.
At one point RK strapped on an acoustic guitar and began to softly strum a beautiful melody then he stopped, looked to the audience and said, “C’mon people raise your cell phones up – let’s light this place up.” (Oh how times have changed. In my days it was a Bic lighter we held up.) With the audiences phones held high, the rest of the band joined RK as the song sped up then took on a new rockin life of its own, making us dance and smile.
I must say if you didn’t come to Hampton Beach a fan of Hot Chelle Rae then you definitely left as one.
If you get a chance to see them perform, GO… I think you’ll be pleasantly surprised.
For more music reviews visit my website: Rock-it-Write
Band Website: Hot Chelle Rae
Hampton Beach, Hampton, NH
August 31, 2011
Screaming fans and their parents, some waiting several hours, were lined up all around and down the street four blocks, at the Casino Ballroom at Hampton Beach, NH to get a much coveted ‘standing-room-only’ spot inside the “sold out” show for the highly popular boy-band from Nickelodeon, Big Time Rush.
The ballroom was packed with all age groups: small children, teenagers and parents alike. Everywhere you looked you saw Big Time Rush t-shirts, posters, and wrist bands. The homemade t-shirts and posters were artsy and very creative and you felt the love and spirit of the fans for the band. (It brought back memories of my own tween days and doing exactly the same thing for my favorite bands.)
After the back-up bands and some very long waits in between, Big Time Rush finally hit the stage and the crowd went crazy wild. The piercing screams from these girls was so high it should’ve shattered the glass windows. The boys were quite energetic and synchronized in their dancing moves and connected well to their audience; waving, smiling, reaching out and touching hands with their fans. James and Logan even did their famous back flips.
In between performing their upbeat songs we learned Big Time Rush had a new CD coming out soon, were filming a movie, and Season 3 of their Nickelodeon show was being shot as well. All of this elicited excited squeals of delight from the fans.
The boys pulled out the stools for a sit down of an acoustic version of, Stuck, which showed Kendall’s prowess on the guitar. Next up was a cover of the Beatle’s song, I Want to Hold Your Hand. Then the group chose a young girl from the audience to serenade their popular song, Worldwide, to her – making this young girl’s night one she would never forget.
After a few more songs Kendall, James, Logan, and Carlos ended the night with confetti and the song, The City is Ours. (Which, for tonight it was.) After leaving the stage and with screams from their audience they returned to do one more number, Halfway There.
Big Time Rush arrived and conquered. It was a BIG TIME Awesome show!
For more music reviews visit my website: Musical Musings
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Tuesday, June 21, 2011
Casino Ballroom, Hampton Beach, NH
June 17, 2011
With the love of two songs (“Save Me” and “The Battle for Hadrian’s Wall”) I made a spur of the moment decision and found myself at the Casino Ballroom awaiting entrance to see a band that I only just heard about. As a fan of Jason Bonham I wondered about these other musicians - Joe Bonamassa, Glenn Hughes and Derek Sherinian - that Jason had hooked up with. After some internet research (and many, many You Tube videos later), I gleaned information about these other three men and found I couldn’t wait to see what the Black Country Communion had up their sleeves. This newly formed group held much promise of only good things to come, and I wanted to be there to see the power and magic unfold. They didn’t disappoint - it was all that and so much more.
I arrived early as I had general admission seating, and found myself on the stairwell above the ticket office. It was in that moment that I had a glimpse of what the evening held in store. The group was doing a quick sound check and what I heard blew me away. I was itching for the doors to open so I could find a great spot in which to watch them. Upon entering I made my way through the table and chair labyrinth to the side of the stage. Colin, the friendliest guitar tech I’ve ever met, was tuning numerous guitars and chatted with me for a while. The show didn’t start till 8:00pm and it was only 6:30pm.
Colin let me take numerous pictures of Glenn and Joe’s guitars, and he gave me one of Glenn’s guitar picks and let me snap a picture of the night’s set-list. While chatting I spied Jason Bonham. I waved and beckoned him over. He smiled, waved back and promised he’d be back in a minute. His drum tech walked by and said Jason would definitely come out in a minute. I really didn’t think he would but lo and behold he was ever so gracious and true to his word. Jason autographed a paper for me, and another person that was standing nearby. With personal matters to attend, a show starting in less than an hour - for Jason to come out and speak briefly with me and sign an autograph – what a truly warm, friendly gentleman of his word he was. Thank You Jason!!
When 8:00pm rolled around the venue was packed, the magic wand waved, and Black Country Communion hit the stage with a vengeance. From the opening song, “Black Country” to the very last encore song of “Burn”, these four men gave it everything they had and then some. Joe Bonamassa played the guitar like the amazing,brooding genius he is. Derek Sherinian’s finesse on the keyboards shined brighter than the lights hitting them from above. Jason’s skill and heavy beat are reminiscent of his father but with this band, he has found and reinvented himself exceeding the Bonham name. What can one say about the maestro in blue velvet, Glenn Hughes, other than he owned the stage. From his flamboyant flair and strut he challenged the audience to cheer and we did -over and over again. This is a group that works (and plays) together, gives all but takes no quarter.
From “One Last Soul” to “Save Me” to “Cold”, to my favorite, “The Battle for Hadrian’s Wall” the BCC never stopped rockin the Ballroom. A melting pot of heavy metal, blues, funk, soul, stirred with heavy and eclectic drum beats, Black Country Communion managed to take decades of musical genres, fuse it with a fresh modern sound creating music that breathed with a life of its own.
Black Country Communion delivered musical magic; a wild ride that you didn’t want to see end, but with the last notes of “Burn” still humming and wafting through the ballroom, the final bow happened. Black Country Communion bid New Hampshire a good night, applauding and thanking us, the audience, for coming.
Rock On and Thank You.
Side Note: I heard from a friend that after the show each band member came out individually and signed autographs, took pictures, etc with fans. BCC truly loves their fans and we them. Again, their awesomeness shines!!!
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Saturday, May 14, 2011
“…a moment like tonight, a profound and transcendent experience,the feeling as if a door has opened, and it’s all because of that instrument, that incredible magical instrument.”
~D.Frolov & A.Schneider
That quote perfectly sums up Sully Erna’s performance in Concord, NH from the Avalon Tour. From the atmospheric ambiance of lit candles, to the melodic strains of the opening song Avalon, the bard, Sully Erna, and his band of merry minstrels: Lisa Guyer, Tim Theriault, Chris Decato, Chris Lester, Irina Chirkova, Niall Gregory, and David Steffanelli, threw the misted, portal door wide open and allowed all to enter their magical world. For a moment in time we were gifted with tribal beats, hypnotic cello, mesmerizing guitar, and spellbinding keyboards - each instrument and musician totally one. Their thrilling, rhythmic notes stirred the bubbling cauldron of exhilarating excitement within each of us.
There were no mosh pits in Avalon, just a sense of beautiful peace and love. One such tender, touching, beautiful moment occurred during My Light, a song dedicated to Sully’s daughter Skylar. The video on-screen showed her growing up while her father sang from his heart about his love and dedication to her. I sat misty-eyed. As a parent it was extremely touching and when his daughter yelled out, “I love you daddy” – it was a true, poignant moment. This was Sully’s softer side, a man showing his vulnerability to the masses through his amazing gift ~ song.
That’s not to say Sully doesn’t have a humorous side – he does. During an amazing piano solo filled with classical moments that lifted ones spirit upwards, Erna momentarily paused, holding you in his grasp, then collected himself and softly began playing again, only now the strains were eerily familiar…the opening theme from the movie, Friday the 13th, the date and tune were not lost on the audience as soft laughter was heard before the cheers erupted. The wry bard’s skill and finesse as well as humor were appreciated by all, as was the satirical grin that appeared on his face during that brief humorous moment.
The show ended on a high note with fans appreciating the only Godsmack song played, Serenity. Two more familiar songs were played for the encore, The Chain and Hey Jude. Sully explained that these two songs were about coming together and being connected through the wondrous sounds of music. As the audience sang along to Hey Jude, I turned around and watched them; smiles lit the audience faces as they sang, one and all – la la lalalaaa lalalaaaaa ... hey Jude.
When I turned back, the bard and his merry minstrels began to stroll away, disappearing into the shadows of the night. The musical chain had been forged and the connection open, as was the door ~~ Sully left it open and the candles burning… Welcome to Avalon!
For more music reviews visit my website: Rock-it-Write
Visit my facebook for pics: Sully Erna pictures
Sully Erna's website
Eyes of a Child
- - - - - - - - ENCORE - - - - - - -
The Chain/Hey Jude